WELCOME.

WELCOME.

Welcome to my social blog which main function is aimed at providing you, my esteemed viewer a platform to express your opinions and thoughts on issue which tend to affect us directly or otherwise, issue that reflect our humanity. This blog cuts across all aspects of life such as Entertainment, Business, Politics, Latest Technology, Nature etc.

I hope you enjoy yourself as u surf through this blog. Have a splendid day.

-Ericson Osazee Ogbebor

Friday 1 May 2015

RAPPERS RAP EMCEE's IMPACT

IN THE HEAD OF AN EMCEE! RAP MESSAGES MORE THAN JUST LYRICS.


An emcee must be held responsible for what he
says, there’s no doubt about that. He/she
approaches the mic with an ambition, with a
message — this much we know. But what is this
“message” and do all emcees truly understand
what their message is when they deliver it? Here’s
a little something about why I think the message of
a rap song cannot be looked for just in the lyrics.
I can’t allow myself (yet?) to believe that speaking
or thinking of specific words and taking into account
what they (or parts of them) sound like, are “coded”
either positively or negatively and might induce an
action or lack of one. Mostly because of the many
meanings of words, all the honomymic/homoformic
forms, compounds, slang, different forms of nouns
and verbs etc. The English language is changing at
the speed of light, which makes this presumption
extremely unstable. To top this — I also don’t
believe cuss words and phrases are something to
avoid in rap music.
What I believe in, though, is that the correct
(whatever this might mean) usage of unpleasant or
even obscene lyrics can project an altogether
positive message. It may seem offensive to some,
whose tolerance towards swearing or adult/taboo
themes is not as high — often, because of personal
reasons — however, this often might transform into
an unproportionally positively charged and
motivational source of information and what some
people call “energy” or “vibe”.
I have to note that I only base this upon my own
observations, “hip-hop instincts” and how I interpret
these so-called “energy” of rap music. I myself
grew up listening to The Prodigy’s “Smack My Bitch
Up”and I feel that encountering this music has been
one of the best experiences of my life. I also
haven’t made a habit of smacking bitches up,
either, luckily for all of us.
Enter hip-hop. My theory is, rap can be mentally
beneficial and mentally harmful or negatively
charged, and in most cases it’s connected to what’s
really happening inside of the emcee’s brains at the
moment of delivering the message. Not what the
emcee’s rapping about, but with what
purpose the emcee is rapping.
I recently took part in a casual discussion about
materialist themes in rap lyrics and music videos,
more precisely — how individually these
materialistic symbols are perceived. In hip-hop,
there’s a lot of different things to take in account
besides the music. The concept of personality, for
instance: in hip-hop, everybody’s telling their own
story. This might even not be expressed in lyrics but
in the life of the rapper, their experience, their life’s
choices, views etc. This is why it’s important that
the listener can get to know the rapper, so that he
could absorb his story properly.
A banal, but fitting example: Soulja Boy and J Dilla.
Both of them like expensive vehicles (in Dilla’s case
— trucks), both of them like diamonds (who
doesn’t?). But, in the eyes of a hip-hop patriot,
Dilla’s diamonds have a completely different value,
because they symbolize practically opposite things.
The real question here is… what does it mean? Is
this bragging? Is this pride? If so, for what? Is there
even anything to be proud of?…
It is quite possible that the rapper on the stage
who’s rapping about money, really just raps about
money: about how happy it makes him that he’s
getting it, about how glad he is about his crib where
he throws crazy parties and abuses quality drugs.
It is also possible that the rapper on the stage who’s
rapping about money raps about the dreams he’s
fulfilled, about the power of not giving up, about the
barriers he’s overcome, about setting a good
example and how you have to work hard to
succeed. The most important thing here, however,
is that the listeners, blinded by bling, stereotypes
and jealousy, don’t forget to ask themselves
— what does it mean?
What you hear or read surprisingly often may not
even be close to what it means. A dude rapping
about how he doesn’t give two shits about what the
haters say, has, most likely, been hurt by hate. By
saying “and fuck them haters I’ma just keep
movin’”, the message he delivers to a more-or-less
experienced hip-hop listener is “I hope that now
when I’ve publically expressed my displeasure with
the Internet hate it will drastically reduce the
amount of objective and biased criticism towards
my music and myself.” And all this confusion and
contradiction does not assist the delivery of a
deliberate message; instead, all that is created is a
product of duplicity, egoism and falsehood. And,
while in terms of content this can be interpreted as
a great message, all that this emcee involuntary
delivers to our minds is his untreated problems that
are expressed in an alternative way and won’t in
any way motivate veteran hip-hop heads, because
they will sense this a mile away.
This is why I believe that every word that has that
iceberg quality to it, every word that has been
spoken from heart, and every word that carries a
weight and with an aim to aid good, even if using
negative means, is a far greater and more valuable
investment in humanity that a pile of regurgitated
preachments and nice sounding words that have
been formed into a sentence because of completely
different reasons than it might at first seem,
without any intention to create something that
really has an influence and natural resonance.
What I mean is, you can write a cheesy and
intentionally motivational song about dreams and
how important it is to follow them, but as soon as I
notice that you have no idea what you’re talking
about, to me, it means nothing; they’re just rhymes,
without any kind of substance. I don’t know what
the situation in schools is nowadays, but I
remember we used to get graded better for what I
could only call fake thoughts. This, however, is hip-
hop, and if you can’t speak from your heart, I won’t
feel your shit. I’m not saying this should matter to
you, but what I am saying is this is what I believe to
be of utmost importance. Stay true to yourself.

Written by ansis
Rapper, beatmaker/producer, Dj,
podcaster, hip-hop citizen

Sunday 13 January 2013

Saturday 12 January 2013

RAP JUST A PASSING PHASE

 Rap Music...A Passing
Phase?
   I remember how it was in
the beginning. I remember
the first time I heard
Rapper’s Delight on the radio
and was amazed at the new
sound and presentation.Rap
music has been exploding
and expanding ever
since...despite the
predictions of many that it
was just a passing phase
that would never be taken
seriously by anyone outside
the urban environment.Watch THE GAME and CASSIDY MAKE POETRY
  To say those that thought rap music would be dead
and gone today were wrong would be a gross
understatement of the actual facts. This music form has
evolved through many incarnations and is steadily
evolving as more people experiment with it’s versatile
nature. When I was growing up, there were many types
of rappers being displayed in mainstream outlets. The
diversity between Big Daddy Kane@bigdaddykane,
Fresh Prince@FreshPrinceNow, Slick Rick@slickrick35,
Public Enem@PublicEnemyFTPy, NWA, Special Ed@SpecialEd,
 De La Soul@WeAreDeLaSoul
and A Tribe Called Quest@A_T_C_Q  says it all. Nothing
like the virtually one subject dominated presentation of today.
   When speaking about rap in a historical sense, even
looking forward as this post will shortly do, it would be a
crime not to mention Run-DMC@OfficialRunDMC and all their
 innovations. Now that I have, let’s look back so that we can
understand what we see when we look forward.
Rap music is not new, at least not in the sense of it
simply being poetry...just presented dramatically
different from anything written by William
Shakespeare or Dr. Seuss. Looking back, it’s evident
that poetry has withstood the test of time. Poets exist
now and will in the future...and we are continuously
reading poets of the past. Style and presentation are
the malleable factors and rap music is just another
presentation of many different styles.
   Looking forward, rap is being used in very creative
and unique ways. It is revitalizing a diverse pool of
interest. We looked back at Shakespeare and Seuss
without realizing that rap would have us looking
forward at them as well. It doesn’t look to me as
though rap music will be passing into the great
beyond any-rhyme...uh, anytime soon. In fact, using
complimentary videos to creative raps seems to be
stirring the inquisitive juices of the younger minds that
are exposed to them. Coming up with questions
and investigating the available facts to answer
those question is part of the scientific process. Although
science and rap music might not seem like quite the same
mix as chocolate and peanut butter...it’s this very diversity
and versatility of rap that makes such a union not only
possible, but extremely entertaining.
   How smart was Albert Einstein? Who is Stephen
Hawking? Who is smarter of the two? Who is the better
rapper? Well...I suppose that last one isn’t a serious
question, but the first three are, and can be prompted by
any inquisitive young mind enraptured with the video
below.
Entertainment, message, story, teaching, dance,
inspiration...and the list goes on about the various uses
and effects of rap music. When I watch these videos
and others like them, I see innovation and
creativity...and although there are some that are better
than others, I don’t see any imminent end to rap music or
any indication that it is a “passing phase.” There is every
indication that it is doing what it has always done...evolving.
Albert Einstein vs Stephen Hawkins-Watch Video
_____Ericson Osazee Ogbebor
Other Video
Rap's so easy WATCH A 14 YR OLD BOY DO IT

Wednesday 24 August 2011

Tee-rexx-33: Tee-rexx-33: LET'S RE-DEFINE HIP-HOP

Tee-rexx-33: Tee-rexx-33: LET'S RE-DEFINE HIP-HOP: Tee-rexx-33: LET'S RE-DEFINE HIP-HOP : "This is for all of the people that apprieciate real hip- hop and real music. If you are tired of...

Thursday 11 August 2011

Tee-rexx-33: LET'S RE-DEFINE HIP-HOP

Tee-rexx-33: LET'S RE-DEFINE HIP-HOP: "This is for all of the people that apprieciate real hip- hop and real music. If you are tired of turning on the radio and hearing bull..."

LET'S RE-DEFINE HIP-HOP

This is for all of the
people that
apprieciate real hip-
hop and real music.
If you are tired of
turning on the radio
and hearing bullshit,
buying a new CD
that is garbage,
watching a music
video with nothing
but half naked
females, hearing all
these rappers talk
about selling drugs,
how many girls they
fuck, cars with rims
and bang in the
trunk, etc,. If you
believe... that
rappers such as
Young Joc, Dem
Franchize Boyz, D4L,
Dj Unk and other
bullshit rappers are
real hip-hop..... Then you've got to get yourself examined.
Here's a list of real
hip-hop artists:
1. Nas
2. Lupe Fiasco
3. Kanye West
4. Mos Def
5. Jay-Z
6. Ja Rule
7. Dead Prez
8. Gang Starr
9. Common
10. Consequence
11. Bump J
12. Will.I.Am
13. Jurassic 5
14. Saul Williams
15. The Roots
16. Dilated Peoples
17. De La Soul
18. Talib Kweli
19. OutKast
20. Pharoah Monch
21. Gym Class Heroes
22. JDilla
23. Andre 3000 (had
to put him by his
self)
24. Chrisette Michele
25. Governor
26. Gym Class Heroes
27. Eminem
28. Twista
29. Royce Da 5'9
30. Fabulous
Shall I continue ? If
you are not familiar
with these names,
most likely you are
victim of what I call
"FALSE PROPHETS"